Victorian thuyawood lady’s Dressing Box, Victorian ebonised stationery Casket, A Danish birch serpentine Chest, Scandinavian mahogany bow-front Chest

Victorian thuyawood lady’s Dressing Box, Victorian ebonised stationery Casket, A Danish birch serpentine Chest, Scandinavian mahogany bow-front Chest

A William IV satinwood Tea Caddy,  of sarcophagus form, with twin lidded canisters and an associated glass blending bowl.

A William IV rosewood Tea Caddy,  of sarcophagus form, with mother-of-pearl inlaid escutcheon, the pair of lidded canisters flanking a cut-glass blending bowl, on bun feet.

An Indian calamander Work
Box,  the interior with stained
and engraved ivory depicting birds and
stylised floral motifs, comprising three
trays and lidded compartments.

A French boulle and ebonised
Liqueur Cabinet,  the hinged
cover, serpentine front and hinged sides
revealing a tray containing four gilt
decorated glass decanters and sixteen
liqueur glasses, moulding detached.

A Victorian rosewood and mother-of-pearl inlaid Writing Slope,  the double hinged sloping top with coromandel borders, the interior with compartments and a velvet-lined writing

surface.

A Victorian thuyawood lady’s Dressing Box,  the
rectangular top with a mother-of-pearl
plaque inscribed Mils Spence, the
velvet-lined interior containing various
glass accessories with silver-plated
mounts, the base with a lateral drawer.

A Victorian coromandel Writing
Slope,  inlaid with brass
stringing and escutcheons, the slightly
domed top revealing a velvet-lined
writing surface and compartments.
wide.

AN ANTIQUE and satinwood
banded oval Tray, with a waved gallery
and central inlaid shell medallion flanked
by brass handles.

A Victorian ebonised stationery
Casket,  with silver mounts
and pietra-dura floral plaques, the
sloping hinged top revealing a silk-lined
interior.

A Tunbridgeware Bon-Bon Dish,
of octagonal form, with a
loop handle, the central sycamore
reserved floral mosaic panel within a
geometric border.

A Tunbridgeware coromandel and
end grain mosaic Work and Jewellery
Box,  the hinged top with a
sycamore reserved castle scene, the pair
of doors centred by floral sprays and
enclosing three drawers, on a flared base
with bun feet.

An Anglo-Indian ivory veneered
Work Box,  engraved
throughout with trailing flowers and
stylised borders, the hinged top centred
by a shield device, the sectioned interior
containing accessories, the base with a
drawer.
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A Danish birch serpentine Chest,
with ebonised mouldings, the
three long graduated drawers above
cabriole feet.

A Louise Philippe mahogany
Dressing Chest,  the raised
mirror back with octagonal supports
above a serpentine drawer with lidded
compartments, the conforming
projecting base with three long drawers
flanked by columnar mouldings headed
by foliate corbels, on gadrooned feet.

A Scandinavian mahogany
bow-front Chest,  the
moulded top above four long graduated drawers, on tapered square feet.

A Tuscan walnut Cassone,
the boarded cover above a
twin-panel front with caryatids and
centred by an heraldic shield, on carved
claw feet, faults.

An Italian carved and later gilt
painted Console Table,  the
serpentined white marble top above a
pierced foliate and floral frieze, with a
putti and cornucopia support and a rear
mirror panel.

A Louis XV kingwood and rosewood Vitrine,  inlaid throughout with stringing and gilt-metal mounts, the pair of cartouche panelled glazed doors enclosing a velvet-lined interior

with glass shelves, on bracket feet, altered. high by. wide;  by ft. llin., glazing later, one pane cracked.

A Louis XV-style rosewood and mahogany marquetry Table Ambulante,  with gilt-metal mounts, the oval top with central floral spray and ribbon-tied foliate border, the parquetry

frieze with a drawer, on cabriole legs ending in sabots.

A pair of Louis XV painted
Fauteuils,  with
cartouche-shaped backs, padded arms
and bowed seats covered in brocade, on
cabriole legs, paint worn.

A distressed Continental four-fold
leather Screen, 18th Century, each fold.

A pair of walnut and tooled hide Armchairs,  in the late 18th Century style, the nailed arched backs and rectangular seats on turned and square legs joined by pierced

arch-front stretchers, probably Portuguese.

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