ANTIQUE SCULPTURE: ITALIAN MARBLE ROUNDEL, SPANISH POLYCHROME FIGURE, AUSTRIAN POLYCHROME WOOD FIGURE, DUTCH OAKWOOD RELIEF

A CAMEO CABINET with twenty drawers, fourteen
of them containing plaster casts of antique cameos, with
three handwritten guides to the contents, 26V2tn. high
(68cm.) 19th Century, lock broken.

AN ITALIAN MARBLE ROUNDEL with a bust of Apollo facing to dexter, a quiver of arrows in the back-ground, on the reverse a bust of Diana facing to dexter, her hair bound by a

fillet decorated with a crescent moon, in the background a capped quiver, 8in. diameter (20.4cm.) 18th Century, support hole at base of roundel.

A WHITE MARBLE BUST of St. John the Baptist, after Rosselino, by Ottavio Pucci, on rectangular white marble base, 12lhin. high (31.8cm.) Italian, 19th Century.

A TERRACOTTA BUST of a young girl with grapes in
her hair, in late 18th Century style, French, 15in. high
(38cm.), on chipped marble base    .

A BRONZE FIGURE of a Satyr carrying the child
Dionysos, after the antique, the satyr is shown striding
forward carrying a child on his Shoulders, the child’s
hair festooned with vine and with grapes in his raised
right hand, with tree stump support, 22′Mn. high (57cm.)
turn 18th/19th Century, base lacking.
V For original see the Hellenistic marble statue of the same name in the Villa Albani, Rome.

A SPANISH POLYCHROME FIGURE of St. Antony of
Padua, in Franciscan habit, the Child with his right
hand stretched out in playful benediction sitting on the
book on his left arm, his right hand and arm extended,
probably to hold a Uly, the cloud he Stands on adorned
with four winged cherub-heads, on raised quatrefoil
base, some traces of original polychrome, 25in. high
(63.5cm.) late 17th Century.

A POLYCHROME PINEWOOD BUST of a young Man
with short curly hair, moustache and small goatee beard,
in contemporary dress, 17V2in. high (44.5cm.) Spanish,
17thCentury.

A VENETIAN BRONZE CANDLESTICK, after Roccata-
gliata, the vase-shaped socket cast with grotesque masks
linked by drapery, the circular base supported on the
Shoulders of three infant fauns linked by swags with
pendant tassels, the bronze of high copper content, brown
natural patina with traces of black lacquer, 6′A in. high
(16cm.)

A SPANISH POLYCHROME FIGURE of St. Antony of
Padua, the bearded, tonsured Saint stands looking
slightly sinister, wearing a richly decorated tunic and
cloak, 153Ain. high (40cm.) late 18th Century, one hand
wanting, later polychrome base.

A SPANISH LEATHER COVERED CASKET, lacquered
with conventional flowers, birds and animais in gilding
and translucent colours on a black ground, silver hinge
mounts and lock, lOin. by 43Ain. by 63Ain. (25.4cm. by
12cm. by 17cm.) 17th Century.

AN AUSTRIAN POLYCHROME WOOD FIGURE of St.
John, in Gothic style, holding a chalice in his left hand,
long flowing hair, a cloak over his waisted robe, 15in.
high (38cm.).

A FRIESIAN WOOD DOWER CASKET, roofed lid with hinged Aap, chip carved with stylized rosaces, iron Straps and hasp, 12lhin. high (32cm.) 18th Century.

A GOOD NEAPOLITAN CRIB FIGURE of the Innkeeper, 15′Ain. high (38.8cm.) late 18th Century.

A SPANISH POLYCHROME WOOD FIGURE of a Cardinal, the bearded figure stands with his weight on his left leg, his arms spread in benediction, his eyes set with glass, 45in. high

(140cm.) 18th Century.

A NARWHAL TUSK, 64V2in. (164cm.)

A DUTCH OAKWOOD RELIEF of a pastoral scene, a town with a windmill in the background, on the left a poulterer wooing a milkmaid, on the right a woman carrying a flower basket,

sheep and chickens in the fore-
ground, within a stepped oak frame, 37′/2in. by 28′Ain.  34B  ANOTHER NARWHAL TUSK, 64′/2in. (164cm.)
(95.2cm. by 71.9cm. ) 19th Century.

ANTIQUE SCULPTURE: WOOD FIGURE OF AN APOSTLE, FLEMISH ALABASTER CASKET, NETHERLANDISH OAK FIGURES, OAK LINENFOLD PANELS

A CARVED BONE GROUP of the Holy Family, a hill
with towers on either side, within a carved frame, now
mounted on red velvet, 83Ain. zvide (22cm.) in 15th Century
style.

A FLEMISH ALABASTER CASKET, the wood carcase
inlaid alabaster set in the form of arches and pillars
engraved with simple scrollwork, 8′Ain. high (21cm.) 17th
Century.

A CARVED WALNUT HEAD of St. Peter, originally
polychromed now stripped, 8in. high (20.3cm.) probably
Spanish, 18th Century, some worm damage, on walnut
base.

AN IBERIAN POLYCHROME WOOD FIGURE OF THE VIRGIN AND CHILD, the Virgin with ringlets falling on to her Shoulders, high waisted blue dress with red lining, the Christ Child in her

arms, 28in. (71cm.) 18th Century.

A WALNUT RELIEF carved with the demi-figure of
God The Father rising from cloud scrolls, right hand
raised in benediction, the left holding an orb, 103Uin.
(27.2cm.) Spanish, late 16th Century, mounted framed
wood panel.

A SPANISH POLYCHROME AND GILTWOOD FIGURE
of the Virgin and St. Anne, the standing figure of St.
Anne holding the Virgin as a child in her arms reading
a book, flowing robes, the gesso beneath the gilding
worked with intricate scrollwork, wood base, 15in. high
(38cm.) 17th Century.

AN ALABASTER GROUP the Trapani Madonna, the Virgin holds the Child in her left hand, each with a gilt metal crown, on alabaster plinth, 18in. high (46cm.) 17th Century, Virgin’s

head broken at the neck.

A PAIR OF NETHERLANDISH OAK FIGURES, carved in relief as standing angels, with right hand upraised, their hair falling down on to their Shoulders, a sash about their abdomen,

37in. high (94cm.) 17th Century.

A RHENISH WOOD FIGURE OF AN APOSTLE in late
Gothic style, standing with long hair and beard, his
drapery carved with deep folds, 23′Ain. (59cm.) traces of
polychrome.

Two FLEMISH OAKWOOD TERMS carved in relief, one a caryatid figure with arms crossed, supported at mid point by a winged cherub’s head, the other an atlantes with grotesque

lion’s mask below, 23in. (58.5cm.) early 1 Ith Century, traces of polychrome        ?400-600
11 A SPANISH POLYCHROME WOOD FIGURE of Christ
as The Man of Sorrows, shown Standing with head
inclined to dexter, lPAin. (30cm.) 16th Century, on wood
base.

AN ALABASTER PANEL carved in relief with the standing figure of St. Nicholas, the bishop saint standing holding his crozier in his left hand, at his feet a tub with three

children, to his right the kneeling figure of a monk in prayer, an open book before him,by 22in. (44.5cm. by 56cm.) South German, 18th Century.

A SPANISH WOOD RELIEF of the Descent from the Cross, the dead Christ in the foreground being supported on the Shroud, the Virgin fainting behind, the good and bad thieves on

their crosses in the background, 23in. by 173Ain. (58.2cm. by 45cm.) early 18th Century.

A RHENISH OAK WOOD FIGURE of the Virgin and Child, her long tresses falling down her back, a mantle over her robes, the Christ Child in her arms, lVhin. high (29.2cm.) 16th

Century, later polychrome

A SPANISH WOODEN HEAD of an Apostle, carved with deep inset eyes, well figured beard and tonsured head, lO’/zin. high (27cm.) 17th Century, traces of gesso and polychrome
Apparently formerly in the National Museum of
the Phillipines, Manila registered as Coming from the
Bicol Region in the Phillipines.

A FLEMISH OAK RELIEF carved with the Flagel-
lation, centred by the bound figure of Christ, flanked by
four guards, one with whip in hand, arched background,
133Ain. by 12in. (35cm. by 30.5cm.) early 17th Century, in
oak frame.

A PAIR OF OAK BARGE PANELS, carved with Tudor
roses, vines and monsters, 163in. long (414cm.) early
17th Century, and a Cross Bar en suite, 29in. (73.5cm.)

AN IBERIAN WOOD CRUCIFIX FIGURE, crudely carved
in relief with long draped perizonium, 30in. (76cm.) arms
missing.

A NORTH ITALIAN PINE CASKET, chip-carved with scenes in relief on three sides, the ends carved with a double-headed eagle, the front panel with a musician playing a lute and a

lady and gentleman, ail amidst scrolling foliage, 27cm. high by 53cm. long, 15th Century
V See Emil Weinberger, Collection sold Vienna,
1929.

A FLEMISH OAK DOOR, the central panel carved in relief with scrolling foliage and with the date 1598, height 43cm., 1598.

THREE FLEMISH CARVED OAK LINENFOLD PANELS,
27cm. by 24cm., late 15th Century.

Two FLEMISH OAK PANELS, one carved in relief
with scrolling vine leaves and the other with the head of
a woman in profile in a roundel in j:he centre, height
47cm. and 39cm., late 15th/16th Century.

A ‘BILLIE AND CHARLIE’ LEAD MEDALLION in the
form of a pilgrim’s badge, with two knights and spurious
inscriptions, the reverse with a king in glory, 4V2in. high
(11.5cm.) circa 1860.
29 A BRONZE MOUNT with scrolls and foliate patterns,
a central shield inscribed and dated 1692, 29V2in. long
(75cm.) Dutch, 17th Century.

A LEAD CHRISMATORY, the oblong casket with roof-shaped cover with prominent hasp and hinges, the interior with two circular receivers for relies, the one engraved Crisma and the

other Os, the body of the casket with moulded border above and below, 3%in. wide (10cm.) English or Flemish, late 15th Century.

A BALKAN BRASS CHALICE, short flared foot, the
cup and body with intricate repousse and engraved
decoration of birds and animais amidst scrolling foliage,
raised initiais M. F. beneath the base, 5in. (12.5cm.)
17th/18th Century, damaged.

A BRASS PROCESSIONAL CROSS, the terminals in the form of fleur-de-lis with a similar motif above the shaped stem which finishes in a Square base, 83Uin. high (22cm.) Flemish,

circa 1400, now with wooden pyx-shaped base.

A BRONZE BELL, with ‘T’-shaped suspension bar,
piain sides with three horizontal ribs on the everted
rim, iron clapper, 7in. high (18cm.) 16th Century, repaired
at the Suspension bar.

A LARGE BRONZE AQUAMANILE, in the form of a lion, the tail forming the handle, opening for lid (lacking) on top of the head, aperture for tap at base of ehest, 13′/2in. high

(34.5cm.) numerous plugs and repairs.

AN ITALIAN BRASS PRICKET CANDLESTICK, triangular
stepped base on claw feet, inverted baluster knopped
stem, saucer-shaped drip pan with brass pricket, WMn.
(26.6cm.); and Another similar, lOVsin. (26.2cm.) 17th
Century.

A STEEL KEY, the bow cut with scrolls, square
section hollow stem, star pierced bit, 8in. long (20cm.)
German, 17th Century.

A PAIR OF BRASS PRICKET CANDLESTICKS, in 15th Century style, the stepped bases each on three lion sejant feet, rising to dise knopped stems and castellated drip trays with brass

prickets, 12′/2in. high (32cm.)

A GERMAN CASKET KEY with hollow stem and
star and cross pierced bit, 6Van. long (16cm.) German,
17th Century; and another Key, piain bow and stem,
trefoil pierced bit, 7in. long (18cm.).

A BRONZE CAULDRON, bulbous body waisted below the flared Up, pierced projecting handles, three feet, lO’frin. (27cm.) 16th Century, lip damaged.

POLYCHROME PINE FIGURES, ART NOUVEAU EMBOSSED PEWTER RECTANGULAR FRAME, WALNUT FITTED WRITING SLOPE, PAPIER-MACHE TRAY, ANTIQUE MUSICAL BOX

A WALNUT WRITING SLOPE, the top and sides with brass bandings, 7 by 20in; 18 by 51cm, c. 1870.

AN OAK SMOKERS’ CABINET with silver-
plated mounts and a fitted interior, 13in; 33cm, with key and presentation date, 1914.

A CHINESE EXPORT LACQUER GAMES BOX,
the octagonal top with concave sides
above an octagonal body painted
throughout with foliage and courtiers
in garden settings, the interior with nine
compartments with fitted trays and
boxes with covers, 5 by 15iin; 13 by
39cm, c. 1850.

A PAIR OF POLYCHROME PINE FIGURES of
Mary and Joseph, both kneeling in prayer, 36in; 91.5cm, c. 1900.

A PAINTED SLATE TABLE TOP, the surface painted with a view of Caernarvon Castle from the Eagle Tower by the river, indistinctly signed and inscribed, mid 19th Century.

AN   ART   NOUVEAU   EMBOSSED   PEWTER
RECTANGULAR FRAME with blue enamel boss, 1by lOin; 28.5 by 25.4cm, c. 1910.

ANOTHER, with an oval recess; 33.7 by 25.4cm, c. 1910.

A PAIR OF GILT-SPELTER PLAQUES, each cast with a saddled horse standing four-square, glazed and in contemporary simulated rosewood frames, 9 by 10|in; 23 by 26.5cm overall, mid

19th century.

A GILTWOOD AND PLASTER MIRROR in the
Robert Adam Classical Revival Style, the oval bevelled plate surmounted by an urn and ribbon-tied husks, 42in; 107cm square overall, 1880’s.

A  CAST-IRON  FIGURE   OF  A  RECLINING
GREYHOUND with its head raised and ears pricked, on a rounded rectangular base, mid 19th century.

A  PAIR  OF  GILT-BRONZE  AND  SPELTER
CANDLESTICKS, each with a single nozzle
above a spread eagle holding a snake in
its beak, on a fluted socle with a beaded
rim, 8fin ; 22cm, 20th century.

A ROSEWOOD TEA CADDY, the domed top above tapering sides, the interior with two lidded compartments and a com-partment for a mixing bowl, 7 by 12in; 18 by 31cm, c. 1840.

A CAST-IRON BILLY GOAT standing on a foliate ground, its head with long curved horns, turned slightly to one side; 19.5cm, c. 1870.

AN   ALABASTER    CENTREPIECE,   with   a
frilled dish above a pair of eagles, on scrolled feet, 2lin; 53cm, third quarter of the 19th century.

A   LARGE   WALNUT   WRITING   SLOPE   in
well-figured wood, the top inset with plaque dated 1872, the interior with a writing surface and three secret drawers; 21 by 56cm, c. 1870.

A ROSEWOOD AND BRASS-MOUNTED PLAY-
ING CARD STAND with four pack boxes fianking a press with screw action, 12?in; 32cm wide, c. 1880.

A MAHOGANY LAZY SUSAN, 17iin; 44cm diam., mid 19th century.

A PAIR OF PAINTED SPELTER CANDLE-
STICKS, each in the form of an Egyptian
torch-bearer, one maie and one female,
both Walking with the torches above
their heads, on socles, 15fin; 39cm,
with wooden bases, repainted, late 19th
century.

A LARGE WALNUT FITTED WRITING SLOPE
with brass banding, 18in; 46cm wide, 1860-1880.

A MOTHER-OF-PEARL INLAID TEA CADDY
of sarcophagus form, 12iin; 31cm wide, c, 1840.

A   CLUB-FINE   PAPIER-MACHE   TRAY   of
rectangular form with rounded corners gilt with foliage, stencilled ‘Club-Fine’, 28 by 22in; 72.4 by 55.9cm, with registration mark for 6th March, 1875.

A ROSEWOOD BOX, the front and hinged top with brass floral inlay, enclosing a tray, 5 by 12in; 13 by 30cm, with key, c. 1850.

A ROSEWOOD WRITING BOX, the top with two flaps fianking a handle enclosing a fitted interior above a drawer, 24cm wide, c. 1840.

A MUSICAL BOX combining a writing slope and a necessaire in a walnut domed case with two bands of ’straw-work’, with two keys, 12iin; 31cm wide, c. 1880.

A   ‘GEORGE   III’   BRASS   AND   CAST-IRON
FIREPLACE with an arched rire basket above a serpentine grille surmounted by urn finials, 2S by 27in; 72 by 68.5cm, 2Qth century.

AN ONYX TAZZA, the top with a rope-twist banding and seven engraved gilt-metal mounts each inset with a mosaic of a flowering stem, on a gilt-metal socle, 11 fin; 29.8cm diam.,

repaired, c. 1860.