ANTIQUE CANES AND STICKS

A MALACCA CANE,   silver   knap
hallmarked London 1923; and
another Cane with a horn knap;
and an Ebonized Walking Stick
with an ivory knap and silver
band; and a Rough Knapped
Walking Stick.

AN EBONISED CANE with a silver
knap, hallmarked Birmingham 1897;
and a Pat Ridgewood Walking
Stick with a mahogany crook terminal; and an Ebonized Walking
Stick with a horn and silver terminal, hallmarked Birmingham 1917.
A HORN WALKING STICK, the stem composed of concentric rings of horn.

AN AFRICAN WALKING STICK with an ivory terminal carved with an elephant’s trunk, hide stem, early20th century.

А ВАМВОО MEASURING WALKING STICK, the handle applied with silver plaque hallmarked London 1908, with a pullout measuring stick with graduations for hands and meters; and a

Walking Stick in the form of an imitation umbrella, both  overall.

AN IVORY WALKING STICK, the handle carved with the numerals 13, а hand an arrow and flowers and foliage, above a multi piece stem turned with bands, probably Indian, mid 19th

century.
A HARDWOOD WALKING STICK, with a green stone globular knap, engraved silver colored metal mount above a clover carved shaft, Indian or Burmese, third quarter 19th century.

A MALACCA CANE, silver knap, hallmarked London 1911; another with an ivory terminal and silver band; a Malacca Hunting Crop; and an Oak Walking Stick with globular knap.
THREE WALKING STICKS, each with an ivory handle and silver band; and an Anglo-Indian Walking Stick, the handle in the form of an elephant’s mask.
AN EBONY AND IVORY WALKING STICK; а Сапе with a silver terminal; an ebonized Walking Stick with a silver handle; another with a horn handle.

AN EBONY AND IVORY WALKING

STICK, the handle in the form of an elongated neck and beak, third quarter 19th century.

A HORN AND GILT METAL WALKING STICK, late 19th early

A MALACCA SWORD STICK, with а later turned mahogany handle, 18in blade.

A CANE with a horn handle, silver band, applied with Austrian embossed metal, souvenir mounts; another Hardwood Stick and two Walking Sticks with horn handles, one with a silver

mount with rubbed Birmingham mark.

AN EBONISED WALKING STICK, with silver knaps, hallmarked London 1922; and a Japanned Metal Stick Case; and four other various Sticks.

A PARTRIDGEWOOD WALKING STICK, with a silver baluster knap,  hallmarked London 1919.

A WILLIAM IV 18 CARAT GOLD AND EBONY WALKING STICK, the gold knap bright cut and engraved with thistles, acorns and foliage, the stem pierced for a silk loop and applied with a

small cartouche, hallmarked London 1834,  overall.

AN EBONY AND CANE SWORD STICK,
with an enamel knap above a floral carved hand grip and nickel band, probably mid 19th century.

А 9 CARAT GOLD AND MAHOGANY
WALKING STICK, the knap hallmarked Chester 1919.

GILT BRONZE CANDELABRA, ALNUT COMBINED LETTER SCALES, LACQUERED COPPER AND SILVER COLOURED METAL DESK SUITE, LIGNUM POUNCE РОТ, BRONZE WALL PLAQUE

A PAIR OF GILT BRONZE CANDELABRA,
each with four foliate candle holders emanating from a central
sconce, supported on a bulbous
baluster applied with stork handles on a stylized lotus cast base
and slate plinth, third quarter 19th century.

A GILT BRONZE AND PORCELAIN ENCRIER, the pen rack cast with а female mask above a porcelain central well flanked on either side by a well, above a broad shell cast shaped tray,

mid 19th century.

A GILT BRONZE CANDELABRA, with
two candle holders on a spirally fluted stem, with a pineapple finial, supported by a cupid on а cylindrical marble plinth and square base the candle arms and base late 18th

century, the cherub 19th century.

A PAIR OF GILT BRONZE CANDELABRA,
each with four candle holders emanating from a central sconce and vase stem, the plinth applied with a mask on scroll feet, late 19th century.

A WALNUT COMBINED LETTER SCALES
AND ENCRIER, the shaped base applied with brass mounts and with a glass ink well, brass letter scales and weights,  wide, third quarter 19th century.

A GEORGE II SMALL LEATHERBOUND
COFFER, the sides and top applied
with brass studs, the interior lined
with the text of ‘Genesis’, second quarter of the 18th
century.

A HIDE COVERED TABLE COFFER of
rectangular form, applied with studs and a swan neck handle, third quarter 18th century.

AN IVORY AND SILVERCOLOURED
METAL PURSE, the scalloped shaped top initialed CL., 8cm wide; and а tortoiseshell covered Card Case of rectangular form.

A BOULLE LICUOR TANTALUS of rectangular form, with a hinged serpentine front opening to reveal four cut glass decanters and sixteen cut glass liquor glasses, on а gilt metal

detachable stand, turned feet, the top and front applied with cut brass on a red tortoiseshell ground, third quarter of the 19th century.

A LACQUERED COPPER AND SILVER
COLOURED METAL DESK SUITE, including a timepiece with cylinder
escapement, а
cigarette box of rectangular form,
wide, an enquirer with а
single ink well, a pair of column candlesticks,
high, a pair of photo
graph frames,  high, а
fruit bowl, and a pair of vases,
high, early 20th century.

THREE PARQUETRY MOTHER OF PEARL
CARD CASES, each with engraved
silver lozenges.

A TORTOISESHELL AND MOTHER OF
PEARL CARD CASE; and three mother
of pearl and parquetry Card Cases.

A MOTHER OF PEARL PARQUETRY
CARD CASE, the front inlaid with an engraved silver lozenge, third quarter 19th century.

А SET OF BOXWOOD AND EBONIZED
STAUNTON CHESSMEN, the largest
piece , contained in а
rectangular mahogany box, and a hard
board Chess Board.

AN EDWARDIAN MAHOGANY TRAY,
the oval reserve inlaid with a shell,
the boxwood and mahogany gallery of continuous serpentine out
line,  wide, early 20th century.

A LIGNUM POUNCE РОТ, the circular
screw off top pierced with holes
above a hollow baluster and
turned spreading foot,
late 18th century.

A MINIATURE MAHOGANY PEDESTAL
BREAKFAST TABLE, the circular top
on a baluster stem and turned base, third quarter 19th century.

A WTLLIAMS’ BURTON PAPIER МАСНЕ
KING GOTHIC TEA TRAY, the central reserve painted with a female medallion, contained by mother of pearl and painted lozenges, the border painted with polychrome scrolling

foliage, bearing a retailer’s stamp, mid 19th century.

A MINIATURE MAHOGANY BOOK
CASE, the upper part with a pair of cupboard doors, the lower part with a long drawer above a pair of cupboard doors, on turned feet, third quarter 19th century.

A LARGE PAIR OF CASTIRON GARDEN URNS, the sides cast with flowers and foliage and applied with mounts on а fluted stem, mid 19th century.

A GOOD LARGE PAIR OF STONE TAL
BOT HOUNDS, each standing four
square, with a lowered head and
upheld tail, one on a molded rectangular sandstone plinth, each
figure, each with a broken tail
and now painted yellow, early 19th century. These figures were removed from the entrance porch of the Talbot Hotel Bradford when it was closed in 1974. The now extinct Talbot

hound is the direct ancestor of the rather heavier and darker Bloodhound.

A WALNUT TABLE CABINET, the pediment carved with a stag lying on а rock plinth, above a pair of doors, each carved with flowers and foliage enclosing four drawers above a single

long drawer, on molded bracket feet, third quarter 19th century.

A PAIR OF BOXWOOD NUT CRACKS,
carved with stars and foliate designs, Scandinavian, early 19th century.

AN OAK CASED ANEROID BAROGRAPH, with a skeleton chapter ring, the drum with a clockwork motor with cylinder escapement, the plinth fitted with a drawer, bearing a Thomson

Skinner and Hamilton, Glasgow maker’s plaque, early 20th century.

A GEORGE III MAHOGANY CUTLERY ВОХ, inlaid with boxwood lines, the interior now fitted for stationеry.

A WALNUT CIGAR CABINET, the rectangular stepped top applied with a boldly carved group of a covey of partridges, opening in conjunction with the vine carved front, on a slightly

stepped base and foliate feet,  square, probably Austrian, mid 19th century.

A COUNTY FIRE OFFICE FIRE MARK,
embossed copper, with a figure of Britannia above
‘county’ in a panel below; on а
modern oak wall plaque.

A UNION ASSURANCE SOCIETY FIRE
MARK, copper, oval, raised aria border, the centre raised with a burning building and four clasped hands, stamped Haughton Bros., Birmingham, on a modern shield shaped oak

plaque.

A BRONZE WALL PLAQUE of circular
form, with a sun emblem, the border case ‘Quis separabit’ on а mahogany block, 19th century; and a pair of Bronze Society Staff Finials, each with clasped hands, contained by a

ring surmounted by a crown, on a globular stem, late 18th century.

A MAHOGANY STICK MEASURE with а
turned knap, the stem marked
with graduations for inches and
imperial gallons, 51in overall; а
Walking Stick with bronze crosier
terminal, and a Stick
with an ivory terminal carved with
musical instruments above a silver
band inscribed Regale, 1854, all 19th century.

GEORGE III OAK SMALL CHEST, OAK CUPBOARD, GEORGE III OAK BUREAU, GEORGE II OAK TRIDARN, YEW-WOOD AND ELMWOOD Windsor CHAIRS, ELMWOOD ARMCHAIR

AN EARLY GEORGE III OAK SMALL CHEST with а
slide above two short and two long drawers, on bracket
feet, 2ft. 8′/2in. high by 2ft. 6lMn. vide (83cm. by 77.5cm.)
circa 1760

AN EARLY GEORGE II ELMWOOD COMMODE
ARMCHAIR, with baluster-shaped splat, stuffed drop-in
seat, deep, shaped apron and cabriole front legs with pad
feet, circa 1730

A GEORGE III OAK CHEST of two short and three graduated long drawers, on bracket feet, 3ft.

AN OAK CUPBOARD, the upper part with a pair of
doors each with four fielded panels, the paneled lower
part with a well with a hinged lid concealed in the
interior of the cupboard, 6ft. high by 4ft (184cm. by 150cm.) mid-18th Century

A GEORGE III STAINED PINE HANGING CORNER
CUPBOARD, with thirteen-panel glazed door and dentil-
carved cornice, 3ft. 2′/2in. high by 2ft.

AN OAK BUREAU, the flap enclosing a fitted interior above a frieze inlaid with swags, with two short drawers and two graduated long drawers, on spade feet, 3ft. 3in. high by 2ft

A GEORGE III OAK BUREAU, the flap enclosing а
fitted interior above four graduated long drawers, on
bracket feet, 3ft. 5in. high by 3ft. vide (104cm. by 91cm.)
circa 1780

A GEORGE II OAK CWPWRDD TRIDARN, the
molded cornice above an open section with baluster-
turned spindle pilasters, the centre section with а
molded upper part centered by a molded fall-front
panel enclosing an arrangement of drawers and flanked
by a similar pair of cupboard doors, the base with
molded top above three frieze drawers with molded
fronts, above a pair of cupboard doors cantered by а
gothic molded cupboard, 6ft. 6in. high (198cm. by 138cm.) circa 1760, associated top section
and with restore actions

A GEORGE II OAK TRIDARN with a molded
cornice above a shelf flanked by two ring-turned
columns, the lower section with three fielded panels
incorporating two cupboard doors above two frieze
drawers and two further arched fielded paneled
cupboard doors on stile feet, 6ft. 4in. high by 4ft.

A GOOD GEORGE III OAK PRESS of golden colors
with a molded cornice, the front with a pair of doors
each with a fielded panel with shaped top and a plain
panel below flanking slightly narrower matching panels,
the lower part with three fielded panels above three
drawers, on bracket feet, 6ft. 5in. high by 5ft. 6in. vide
(195cm. by 168cm.) late 18th Century

AN OAK ARMCHAIR, the rectangular back with
plain top rail pierced vase-shaped splat, the out curved
arms on baluster supports, the solid seat on turned
legs, early 19th Century

A PAIR OF EARLY 19TH CENTURY ELMWOOD Side
CHAIRS with spindle-turned backs, solid seats and turned legs joined by turned stretchers, circa 1800

A PAIR OF YEW-WOOD AND ELMWOOD Windsor
CHAIRS, the arched comb back with a vase-shaped pierced
splat and crinoline stretcher, the solid seat on ring-turned
baluster legs, early 19th Century

A SET OF SIX ELM AND YEW-WOOD WINDSOR ARMCHAIRS, the U-shaped spindle backs centered by two pierced splats with dipped seats and turned legs joined by crinoline stretchers,

first half 19th Century

A WINDSOR ARMCHAIR in elm and yew, the curved dowelled back with pierced vase splat and the shaped seat on cabriole legs joined by ‘H’-stretchers, circa 1800

A PAIR OF GEORGE III OAK SIDE CHAIRS, the
rectangular backs, with a pierced crossbar, solid seats
and square slight tapering legs joined by stretchers,
circa 1800

A YEW-WOOD AND ELM WINDSOR CHAIR with an
arched back and crinoline stretcher curving around to
form arm supports with solid seat on ringed baluster
legs, early 19th Century

A SET OF FOUR LATE GEORGE III ELMWOOD
CHAIRS each with a rectangular top rail and crossbar,
with a drop-in rush seat and square tapering legs, circa
1810

ANOTHER similar, in elm, early 19th Century

AN ELMWOOD ARMCHAIR, the high scrolled back
with a curved top rail and crossbar, the out curved arms
on down-swept supports, with a shaped seat and turned
baluster legs, second half of 19th Century

AN OAK WRITING COMPENDIUM, of
rectangular form, the fall front enclosing a writing surface with spring operated pen and ink well drawer and a series of divisions for stationery, late 19th early 20th century.

AN OAK COMBINED TANTALUS AND
SMOKING COMPENDIUM, the hinged top and front opening to reveal decanters, glasses and chromed fittings for pipes, late 19th early20th century.

AN OAK TANTALUS, with three cut
glass decanters, applied with
Walker and Hall plated mounts, early
20th century.

WILLIAM AND MARY OAK ARMCHAIR, SMALL OAK CABINET, OAK GATELEG TABLE, QUEEN ANNE OAK SIDE TABLE OR LOWBOY, GEORGE I OAK CHEST ON STAND, GEORGE III COMB-BACK WINDSOR ARMCHAIR

A WILLIAM AND MARY OAK ARMCHAIR, the back
with scroll top rail above wooden splats, the shaped arms
on turned supports, with turned front legs and scroll-
carved front stretcher, circa 1690, seat now with а
wooden panel

A WILLIAM AND MARY OAK GATELEG TABLE with
an oval top, a drawer in the frieze and turned legs and
stretchers, 2ft. 5in. high by 4ft. 6in.  (73cm. by 138cm.)
late 17th Century

A QUEEN ANNE OAK CHEST of four long drawers
on bracket feet, 3ft. high by 3ft. 2in. wide (98cm. by
97cm.) early 18th Century

AN OAK GATELEG TABLE with oval top, a drawer in
the frieze and turned supports, 3ft. 2in. long (97cm.)
late 17th Century

A SMALL OAK CABINET, the upper part with a pair
of doors with arched fielded panels, the lower part with
a drawer, on bracket feet, 2ft.. high by 3ft.

A GOOD QUEEN ANNE OAK SIDE TABLE OR LOWBOY
with molded top and three drawers above a shaped
apron and with double bolection moldings’, raised on
slender cabriole legs of square section, 2ft. 4in. vide
(71cm.) circa 1710

A GEORGE II OAK COFFER with a hinged lid, the
front set with two fielded panels above two short drawers
on stile feet with paneled sides and brass carving
handles, 2ft. 3in. high by 4ft. (68.5cm. by
125cm.) circa 1720

A WILLIAM AND MARY WALNUT GATELEG TABLE with an oval top and eight spiral-twist legs joined by plain stretchers, 3ft. 7in. high by 4ft. open (109cm. by 147cm.) circa 1690,

originally with two further legs

A GEORGE III ELMWOOD TRIPOD TABLE, the oval
hinged top on a ‘birdcage’ support, with a baluster stem
and down curved legs, 2ft. 2lhin. high by 2ft. 83Ain. ivied
(67.5cm. by 83cm.), mid-18th Century

A GEORGE III OAK LINEN PRESS, the adjustable press within a rectangular frame, above two short and three long drawers, on bracket feet, 5ft. 9in. high by 2ft. 10′Mn. wide

(176cm. by 87.5cm.) circa 1790

А 17th CENTURY OAK COFFER with two plank hinged top, the front set with four panels, on stile feet, 2ft. (80cm. by 126cm.)

A GEORGE III OAK CHEST of two short and three graduated drawers, on bracket feet, 3ft.. by 94cm. circa 1775

A GEORGE II OAK DRESSER, the upper part with an
ogee top above two shelves and three arched cupboards
divided by two panels, the lower part with three drawers
and two arched cupboard doors cantered by an arched
panel, on stile feet, 6ft. 3in. high by 4ft.
(191cm. by 144cm.) circa 1740, drawers relined, later
cornice    .

A GEORGE I OAK CHEST ON STAND, with a molded
cornice above two short and three graduated long
drawers, the lower part with a long drawer) the serpentine
apron and cabriole legs ending in pad feet, 5ft, 3in. high
by 3ft. (160cm. by 106cm.) circa 1710, later
legs

A GEORGE II OAK WRITING TABLE, with three
drawers in the frieze above a shaped kneehole, on cabriole
legs ending in pad feet, 2ft.
(72cm. by 77.5cm.) circa 1740

A GEORGE II OAK CHEST ON CHEST, the plain
rectangular molded hinged top above a front of four
shaped molded panels, the base with two short and
three long drawers, (114cm. by 143cm.) circa 1730

AN EARLY GEORGE III COMB-BACK WINDSOR ARMCHAIR, with a shaped top rail and carved stick back, the shaped elm seat on cabriole legs joined by an H-shaped stretcher, circa 1760,

with restorations

A GEORGE II OAK CHEST ON CHEST, the rectangular molded top with two inset molded panels above a pair of arched double panel doors, the base with one short and four long drawers,

above a shaped apron and bracket feet, 3ft. (120cm. by 148cm.) circa 1730, formerly with hinged lid

AN EARLY GEORGE III OAK CRICKET TABLE, the
circular three-plank top on three square-cut chamfered
legs joined by stretchers, high by 2ft. 5in.
vide (60cm. by 73.5cm.) circa 1760

AN OAK CHEST ON STAND, the upper part with
two short and three graduated long drawers, the lower
part with three short drawers above a shaped apron, on
cabriole legs of square section, 5ft. high by 3ft. 3in.
vide (105cm. by 99cm.) both parts circa 1730, probably not
originally together

OAK SIDE TABLE, OAK BENCH, CHARLES II OAK COURT CUPBOARD, 17th CENTURY OAK SIDE CABINET, WALNUT SIDE CHAIRS, WILLIAM AND MARY EBONISED BEECHWOOD CHAIR

A CHARLES II OAK STOOL, with rectangular stuffed top and turned legs, 6in. vide (47cm.) circa 1670, with a needlework-covered seat and loose cover

AN OAK SIDE TABLE with a molded top above а
frieze drawer carved with foliage, on bobbin-turned legs
joined by stretchers and with bun feet, 2ft. high
(72cm. by 53cm.) circa 1650, drawer
associated

A CHARLES II OAK CHEST, the three panel top and
front outlined with geometric moldings, on later
bracket feet, 2ft. high by 4ft. (67cm. by
124cm.)

AN OAK BENCH, with an acanthus leaf-molded
edge with a reclining lion at each end and a paneled
front on baluster turned legs, left.

A CHARLES II OAK COFFER, the three paneled
hinged top above three front panels, on stile feet,
carved throughout with later roundels, lunettes and
floral decoration, and dated 1632,2ft. high by 3ft. 10lMn.
vide (61cm. by 118cm.) circa 1660

A GOOD CHARLES II OAK CHEST, the molded top
and frieze drawer set with octagonal fielded panels
enclosing ebony roundels inlaid with mother-o’-pearl
and ovals, flanking a central arcaded panel and divided
by split balusters, above a pair of cupboard doors
similarly decorated and enclosing three graduated long
drawers, on bun feet, 3ft.. high by 3ft. 5in. vide
(109cm. by 104cm.) circa 1675, restored

A CHARLES II OAK COURT CUPBOARD, with а
guilloche-carved frieze with the date 1668, above a pair
of rosette-carved paneled doors flanking a central panel
carved with stylized bunches of grapes, the lower part
with two paneled doors, on stile feet, 4ft. 8in. high by
5ft. 5in. vide (142cm. by 165cm.) third quarter 17th Century,
probably Westmorland

А PAIR OF PEARWOOD FORMS OR NARROW BENCHES
of honey colors, each single plank top raised on rows pairs of inverted baluster shaped legs, 5in. high by 4ft. long (43cm. by 148cm.) late 17th Century, French, stretchers with

restoration

AN OAK COURT CUPBOARD with a molded cornice
above a carved frieze with a central carved panel flanked
by two cupboard doors above two slim cupboards, the
lower part with a further two cupboards set with fielded
panels on stile feet, 5ft. 9in. high (175cm.) circa 1690,
possibly Welsh, molding new.

AN OAK CHEST with molded four panel lid, the
front with carved frieze and three panels, the centre one
carved 1648 and initialed T.P. with a pair of drawers
below, 2ft. 2in. high by 4ft. (66cm. by 126cm.)
late 17th Century

AN OAK COURT CUPBOARD, with a flower-carved
frieze supported by ringed bulbous balusters, with а
central cupboard door set with flower heads, the lower
part with two short drawers above a central cupboard,
the whole ornately decorated with stylized flowers and
foliage, on stile feet, 4ft.
(148cm. by 121cm.), reconstructed, incorporating earlier
fragments

A GOOD LATE 17th  CENTURY OAK SIDE CABINET, the projecting corners with pendant onion finials and three recessed doors with fielded ogee panels, the base with three drawers

above a pair of cupboard doors each with four fielded panels flanking two fielded panels, 6ft. high by 5ft. (183cm. by 155cm.) circa 1690

A CHARLES II OAK CHEST OF DRAWERS with two
shallow long drawers alternating with two deep long
drawers, with geometrically paneled fronts, on bun
feet, 2ft. high by 2ft. limn. (87cm. by 88cm.)
circa 1680

A PAIR OF WALNUT SIDE CHAIRS in the manner of Daniel Marot, the tall back with pierced shell-carved cresting and a splat flanked by turned columns and fails, the

machine-tapestry padded seat on scroll-front supports and turned stretchers, late 17th

A PAIR OF JAMES II OAK CHAIRS, the arched paneled
backs carved with stylized flowers and leaves and with
solid seats and turned legs and stretchers, circa 1685,
South Lancashire/North Cheshire

ANOTHER PAIR similar, stamped with the joiner’s initials, R.S., 19th Century, back panels replaced

A SET OF THREE JAMES II EBONISED CHAIRS, the tall
arched backs with leaf and scroll-carved cresting, with
padded splats, turned supports and the padded seats
with S-scroll front legs, and turned stretchers, circa 1685,
formerly caned and now stuffed

А PAIR OF CHARLES II PAINTED AND CANED BEECH
CHAIRS, the tall backs with pierced serpentine top rails,
the shaped caned panels with turned supports and the
caned seats on turned and scroll legs with turned
H-stretchers and scrolled front stretcher, with original
black and green decoration, circa 1680, now partly
picked out in green

A WILLIAM AND MARY OAK TABLE with molded top, a frieze drawer and well turned spiral-twist legs each centered by a spherical knops, joined by waved ‘H’-stretchers on bail feet,

2ft. (70cm. by 86cm.) circa 1690, later castors
This table came from John of Gaunt’s House at
Birmingham, Norfolk

A WILLIAM AND MARY EBONISED BEECHWOOD
CHAIR with tall serpentine-topped stuffed back, the
stuffed seat with a shaped apron and raised on inverted
baluster-shaped legs joined by waved X-stretcher, circa
1690

SOLID WALNUT CHEST,  GEORGE III ELMWOOD BOX, OAK BED FRAME, OAK REFECTORY TABLE, CHARLES I ОАК COFFER, CROMWELLIAN OAK CHAIR, OAK JOINT STOOL

A SOLID WALNUT CHEST, the hinged top pierced with two small ovals, the front with four panels of simple linen fold carving, 2ft. loin. high by 5ft. (89cm. by 153cm.) 16th

Century, French or Flemish.

AN OAK SETTLE, the carved back with three arched
parquetry panels surmounted by a rose and core
cresting, the carved paneled arms also set with parquetry
FURNITURE    panels, 4ft. (133cm.) part constructed from а
late 16th early 17th Century bedstead

A GEORGE III ELMWOOD BOX, the lid with applied
edge molding, left. 9in. vide (53cm.) late 18th Century

AN OAK SIDE CABINET, the projecting frieze carved with leaves and the initials IW and with pendant finials, with a pair of flower-inlaid doors flanking a geometric panel, the

lower part carved with S-scrolls in the frieze

AN OAK SMALL COFFER, the hinged lid, front and       above three leaf-carved panels and with a hinged lid,
sides carved with foliate scrollwork above geometrical       4ft. 7in. high by 4ft. 8in. vide (140cm. by 142cm.) both
bandings, (52cm. by       parts first half17th Century, but not originally together
58cm.) late 17th Century, possibly Breton

AN OAK REFECTORY TABLE with a two-plank top,
the molded frieze raised on bulbous cup-and-cover legs
with block feet and joined by an H-stretcher, 2ft. high by 6ft. 2in. Long (80cm. by 188cm.)

AN OAK BED FRAME, the head with a molded rail, three pillar splats and turned supports with plain frame and chamfered end legs, 2ft. high by 6ft. 8in. long (87cm. by 203cm.)

head early 19th Century, French, remainder English, 17th Century,

AN OAK JOINT STOOL, with rectangular top, the
molded frieze and slightly splayed baluster legs joined
by stretchers, 6in. high (50cm. by
46cm.) early 17th Century, top replaced

A CHARLES I OAK ARMCHAIR, the arched cresting
set with rosettes, the solid back carved with lunettes and
foliage and set with the monogram IS, with out curved
arms, on baluster supports, the stuffed seat on ringed
baluster legs joined by stretchers, early 17th Century,
restored

A CHARLES I OAK JOINT STOOL with molded top and frieze and turned legs, stamped WP ITB, 6in. long (45cm.) circa 1640, long stretchers replaced

A CHARLES I OAK SIX-PLANK COFFER, the lid with а
simple molding in the front, the under-boards pierced
at the base to form legs. high by 3ft.

A GOOD LATE ELIZABETHAN OAK BUFFET, the upper
part with projecting frieze inlaid with strap work parquetry and supported on a pair of leaf-carved and
gadrooned cup-and-cover balusters with Ionic capitals,
with recessed paneled section inlaid with strap work
parquetry, the central arched panel incorporating а
house, the borders carved with stylized flower heads, and
containing two cupboards, the projecting lower part
paneled and also inlaid with geometric strap work,

A CHARLES I ОАК COFFER, with hinged lid, the
frieze highly carved, with fluted stiles and the four front
panels divided by fluting, the interior back-board with
linen-fold paneling, 2ft. 7in. high by 5ft. 5in. vide
(79cm. by 165cm.) circa 1630

A CROMWELLIAN OAK CHAIR, with stuffed back
and seat and turned legs and stretchers, mid-17th
Century, the leather-covered back and seat now painted
with scenes of 17th Century style

A CHARLES I OAK CHEST, with a molded top, the
front with four panels with end boards cut at the base to
form legs, 2fi. 3tin. high by 3ft. (70cm. by
108cm.) circa 1640

A CHARLES II OAK ARMCHAIR, with an arched scrolled top rail carved with lunettes, the two-panel back with inlaid lozenges with slightly down-curved arms and baluster supports,

with solid seat and base on stile feet, mid-17th Century, carving possibly later

A CHARLES I OAK CHEST with three-panel lid and front, the latter with scrollwork and diamond carving, 2ft. high by 3ft. 6in. vide (61cm. by 107cm.) circa 1640

AN OAK SMALL WALL CUPBOARD, the front with
three pair of panels, the central pair forming a door, out-
lined with simple punched decoration, 2ft. high by
(86cm. by 88cm.) mid-17th Century,
with restoration

AN OAK CHEST with a hinged lid and three-panel
front, 2ft. 3in. high by 3ft. 8in. vide (69cm. by 112cm.)
mid-17th Century, the lid now hinged in the centre, with
later carving

A JAMES I OAK JOINT STOOL with rectangular top,
simple molded frieze and turned legs joined by
stretchers, high by 53Ain. vide (58cm. by
45cm.) early 17th Century, top replaced

AN OAK CHEST, the lid with a molded edge, the
front with three panels below a fluted frieze, 2ft. high
by 4ft. 2lhin. vide (63cm. by 128cm.) mid-17th Century,
feet restored

AN OAK JOINT STOOL with a molded top and frieze supported on ringed baluster legs joined by stretchers,. high (57cm.) mid-17th Century

ANTIQUE BRASS ALMS DISH, ENGLISH BRONZE MORTAR, FLEMISH OAKWOOD BRACKETS, ENGLISH BOXWOOD NUTCRACKER, DUTCH CIRCULAR COPPER DISH, FLEMISH HOLY WATER STOOP

A BRASS ALMS DISH, the central boss a sun in
splendor around the four Eva lists within gothic
arches flanked by swags and scrolls, the rim stamped
with stars, 19in.

THREE POLYCHROME WOOD RELIEFS, carved in the form of male bust portrait relief in 16th, 17th and 18th Century costume, one facing full front, the others deter and sinister,

24in.  Bavarian.

AN ENGLISH BRONZE MORTAR, cast with the
inscription Beardmore & Reynolds. London. Fed, and in
the centre of the body a band of foliate scrolls and the
inscription John Wellford 1781, 93Ain. high (25cm.) last
quarter 18th Century.

A FLEMISH OAKWOOD PANEL carved in relief with
the bust portrait facing Dexter of a man in feathered
hat, intricate ruffle, 9in. by 10lUin. (23cm. by 26cm.) in
oak frame.

AN ENGLISH BRONZE MORTAR, the sides cast with
four armorials bearing a cross and a harp, two plain
handles, 42in. high (11.5cm.) 16th Century.

FOUR FLEMISH OAKWOOD BRACKETS, the scroll
mounts carved in relief with grotesque putty seated
above lions’ masks, high (25.5cm.) 16th Century.

AN ENGLISH BRONZE MORTAR, the sides cast with
heraldic emblems, plain handles, high (11.5cm.)
16th Century.

FOUR FRANCO FLEMISH OAKWOOD TERMS, carved
in relief, two as Atlantes, two caryatids changing at mid
point to masks and pendant swags of fruit, 20′Ain.
(51.2cm.) late 16th Century .

A BRONZE MORTAR cast with the Royal Arms,
flared foot, 5in. high (12.7cm.) 17th Century

AN ENGLISH BOXWOOD NUTCRACKER, chip carved with lozenge shapes inscribed Broughtons Cracknut October 5 1667, (13.2cm.) third quarter 17th Century

A MORTAR with averted rim and cast decoration
on the body, and a Pestle, 33Uin. high (9.5cm.) 16th
Century

A MORTAR, the sides cast with the Royal Arms, flared foot, 4V4in. high (10.7cm.) 17th Century
A WOOL WEIGHT bearing the arms of George I, the shield shaped body stamped with control marks and pierced at the top,. high (16.5cm.) sleights English, 18th Century See H. C.

Dent, Antique Collector, 2nd January,

A MORTAR with slightly averted rim and foot,
plain sides, 4in. high 16th Century

A MORTAR, averted rim and flared foot, turned
decoration, high (8.5cm.) 17th Century

A FLEMISH HOLY WATER STOOP, ridged body,
flared lip with two pierced projections for a carrying
handle, 5in. high (12.5cm.) 16th Century

A BRONZE MORTAR, the sides decorated with
Crowned Tudor Roses, flared foot, repaired base, high (11.5cm.)17th Century

A DUTCH CIRCULAR COPPER DISH with central repose flower, a band of stamped lozenge and oval shapes enclosing incised flower heads, repose outer rim, 20in. diameter (50cm.) late

17th Century

A BRONZE MORTAR, the sides decorated with fleur-de-lys, everted foot,17th Century

A BRONZE MORTAR, the lip broken, one handle broken, body holed, 4in. English, 17th Century

AN IRON MORTAR and Pestle, the flared foot cast with WB & Со, N3, 4in. high (10.8cm.)

ANTIQUE CAPSTAN-SHAPED PINT MUGS, CIRCULAR PLATE, VICTORIAN HOLLOW-WARE, INVERTED PEAR-SHAPED CASTER, VICTORIAN CIRCULAR COMMUNION PLATES, BELL SHAPED GOBLET, CIRCULAR  HEATER  PLATES

TWO CAPSTAN-SHAPED PINT MUGS with scroll handles; a tapered cylindrical example with a glass bottom; two tapered cylindrical half-pint mugs, one with glass bottom, sizes between

33/4in (9cm) and 5ty2in (14cm) high, all English, late Victorian and modern.

A SHALLOW PORRINGER, the plain circular body applied with two shaped lug handles, each cast with a stylized anthemion within scroll surrounds, (26cm) over handles, unmarked,

19th century

AN 18th CENTURY PORRINGER, the shallow bowl centered by twin incised reeds, and applied with shaped trim form handles cast on the upper surfaces with baroque vines, the

underside crudely initialed T.T.V.’, 93/4in (25cm) over handles, unmarked, mid 18th century

A PLAIN  OVAL MEAT DISH,  16in
(40cm) long; A Tapered Cylindrical Half Pint Measure with brass
rim; And Three Baluster Measures
of gill and half gill capacities, sizes
between 2y4in (6cm) and
(9cm) high, all English, late 19th
century

A CIRCULAR PLATE, quite plain
except for a single reed in the
bowl, 143/4in (37cm) diameter, rose
and crown touch mark only, Engl-
ish, late 18th early 19th century

A PAIR OF EARLY 19th CENTURY JELLY
MOULDS, of ribbed cylindrical section, the flat covers with part
reeled loop handles, 5in (13cm)
high by William Scott of Edin-
burgh, circa 1810.

A PAIR OF CIRCULAR PLATES, with plain shallow bowls and unusually broad rims, 14in (35cm) diameter, English, late 19th century.

A CIRCULAR PLATE, plain within а single ribbed rim,  (34cm) diameter, unmarked, probably English, late 18thlearly 19th century
A FAVE PIECE TEA SET, comprising а cut-cornered oblong tray, a cylindrical hot-water pot, a circular tea pot, sugar basin and milk jug, all incised and struck with a Greek key

pattern on a ground, bifurcated angular handles, those on the pots raffia covered, English, circa 1930.

TWO VICTORIAN KINGS COLLEGE
CAMBRIDGE ROWING TROPHIES, both
tapered cylindrical and with double handles, engraved for ‘Trial
Fours, 1884′, and ‘Browning Pairs,
1885′, 6y4in (16cm) and 7in (18cm)
high; And A St. Catherine’s Hall
Tapered Cylindrical Quart Mug in
mid-18th century style, engraved
with armorials, Four Oar Races,
1859, 6y4in (15cm) high.

VICTORIAN HOLLOW-WARE comprising a three piece tea set in the style
of the 1780’s; five tea pots of
assorted capacities and designs; А
baluster milk jug and a scuttle-
shaped sugar bowl, all English,
medullae Victorian.

A CHINESE CYLINDRICAL TEA CADDY, of large size, the body and domed cover engraved with cherry blossom, chrysanthemum sprays and Chinese script, internal air-tight cover, 7in

(17cm) high; A Two Handled Baluster Cup, scroll handles and spreading base, (16cm) high; And Eight Tapered Cylindrical Mugs, two of pint size, the remainder of half pint

capacity, all with glass bottoms, excepting, a Tugrik pattern Art Nouveau example, sizes between 32in (9cm) and 5in (12cm) high, English, late 19thlearly 20th century.

A CIRCULAR BREAD PLATE, (31cm) diameter, circa 1900; And Two Art Nouveau Ash Trays, the first circular and chased and incised with a barbed rose motif, 52in (14cm) diameter; the

other а Tugrik oblong example, the end lug handles embossed with Celtic interlace, 5in (13cm) wide, both circa 1925, all English.

A SET OF FIVE CYLINDRICAL TANK-
ARDS, of quart size, plain above а
slight stepped base, scroll hand-
les, the flat covers with volute
thumb pieces, initialed ‘E.S.’ on
the body, (16cm) high,
struck Howard Pewter, circa 1930.

THREE MORE TANKARDS identical to the preceding lot, but initialed ‘E.S.’ on the covers, (16cm) high.

A PAIR OF CYLINDRICAL TANKARDS identical to the two preceding lots, also initialed ‘E.S.’ on the covers, (16cm) high.

AN 18th CENTURY TAPERED CYLINDRI-
CAL TANKARD, the body engraved with the contemporary initials T R’ above a molded girdle and receded skirt base, double scroll handle, the stepped domed cover with openwork arch

thumb piece, 72in (19cm) high, maker’s mark rubbed, English, circa 1770.

AN INVERTED PEAR-SHAPED CASTER, with sere won cover, 5in (13cm) high, mid-19th century; A Pair of Tapered Cylindrical Pint Mugs, hammered finish, 43Ain (12cm) high, by James

Dixon and Sons, modem.

FOUR PINT MUGS, and three half pint examples all tapered cylindrical with molded girdles, skirt bases, scroll handles, two of the larger with glass bases, average sizes, (9cm)

high, mostly by Gaskell and Chambers, late Victorian and modem.

A CYLINDRICAL TANKARD, identical to the preceding lot but without initials, (16cm) high.

A TAPERED CYLINDRICAL TANKARD, in mid-Georgian style, plain above a skirt base, scroll handle, the flat cover with volute thumb piece, 73Ain (19cm) high, maker’s mark N.R., late

19th century.

A VICTORIAN BULBOUS BEER JUG of stout proportions, scroll handle the stepped flat cover with open arched thumb piece, initialed ‘W.P.’ on the belly, 73/4in (19cm) high, mid 19th

century; And А Shaped Oblong Snuffers Tray, 92in (24cm) long, late 19th century.

EIGHT TAPERED CYLINDRICAL PINT MUGS, with loop handles; A Half Pint Example with glass bottom; And Half Pint Baluster Measure, sizes between 33Ain (9cm) and 5in (12cm) high, all

English, 19th century.

A PAIR OF TABLE CANDLESTICKS, the circular bases rising to ‘V’ shaped stems and baluster sconces with integral nozzles, push rod ejectors (one wanting), 93/4in (25cm) high,

unmarked, English,early19th century.

A  PAIR  OF  VICTORIAN  CIRCULAR
COMMUNION PLATES, applied with
molded rims and engraved with
the Holy monogram in a rayed
surround in the wells, 8in (20cm)
diameter, unmarked, English, mid
19th century.

A PAIR OF PEWTER DINNER PLATES,
each with a narrow rim and gad-
roomed border, 914т (23cm), mid
18th century.

A BELL SHAPED GOBLET, quite plain
with leaded base, 4in (16cm)
high, modern; and a hemispherical
Domestic Funnel incised with two
bands of reading, attached ring,
5V4in (13cm) high, c.1750.

A PEWTER OUART TANKARD of tapering cylindrical form, the body contained by a receded band, 6in (15cm), 19th century.

THREE BALUSTER MEASURES, of pint,
gill, and half gill capacities, with
scroll handles and spreading
bases, sizes between  (6cm)
and 43/4in (12cm) high; And А
Tapered Cylindrical Pint Jug with
scroll handle at right angles to the
spout, 44in high, all English, late 19th century.

A VICTORIAN FACETED CYLINDRICAL
TEA POT, with scroll borders, panel
feet, and floral finial, 7in (18cm)
high; And A Lidded Baluster
Measure with angular handle and
incised reed decoration, 7in (18cm)
high; Two Pint Measures; and an
Irish bell-shaped half pint mug,
sizes between 33/4in (9cm) and
43/4in (12cm) high, dates between
circa 1830 and modern.

A PAIR OF PEWTER TABLE CANDLES-
TICKS, the circular bases rising to
stems and bell-
shaped sconces, 94in (23cm)
high, English, last quarter 19th century.

A PEWTER FLAGON with a domed
cover, spherical thumb piece, with
a Bella mine mask spout, the
applied strap handle with a touch
mark dated 1741, above a volute
terminal, the tapering body spirally gadrooned, on a circular stepped foot, raised inside with a floral
medallion.

TWO  CIRCULAR  HEATER  PLATES,
incised in the bowls with a single
reed, flush hinged filler caps and
drop ring handles, one engraved
with a crest, 94in diameter, early
19th century.

ANTIQUE CHIMNEY FURNITURE: BRASS AND IRON FIRE BASKET, CAST IRON PLAQUE, CAST IRON CHIMNEY ORNAMENTS, BRONZE ANDIRONS, IRON MINIATURE FIRE GRATE

A GEORGE III STYLE BRASS AND IRON FIRE BASKET, with a cast fire back, shaped basket and pierced brass apron, 32in (81cm) by 30in (76cm), 20th century.

A GEORGE III STYLE POLISHED STEEL FIRE BASKET, of serpentine outline with a pierced rail flanked by out-set finials and square supports, with an ash pan en suite, 29in (74cm) by 34in (87cm), third quarter 19th century.

A RIVETED COPPER LOG TUB, with а
brass swing handle, 12in diameter, 19th century.

A BRASS AND JAPANNED NURSERY
FIRE GUARD, the brass rail above а mesh panel (116cm) by 17in (43cm), mid 19th century.

A GOOD GEORGE III COPPER AND BRASS KERB, with a pierced frieze, the sides applied with ring handles, 5in (13cm) by 21in (53cm) by 8V2in (21cm), third quarter 18th century.

A COPPER COAL HELMET, with а swing handle, 15in (38cm), mid 19th century.

A GOOD BRASS COAL SCUTTLE, of
oval boat form with an embossed
flap, overhead handle, and with а
fitted shovel, 17in (43cm) by 21in
(53cm), late 19th century.

A BRONZE PUMP HEAD, with a girdled stem, 26in (66cm), 19th century

A GOOD STEEL AND BRASS FOOTMAN, the rectangular top pierced with designs, above a conforming frieze, the sides applied with handles on cabriole front supports, 12in (32cm) by 18in (46cm),early19th century

A GOOD GEORGE III BRASS TRIVET, the pierced top of diminuend outline on a cabriole front support, 12in (31cm) by 13in (33cm), late 18th century

A CAST IRON PLAQUE, cast and painted in relief with Jesus at the well with the woman of Sumerian, 12in square.

A GOOD PAIR OF BRONZE ANDIRONS,
each with a turned finial above an
incised baluster on arched and bail
supports, 27in (69cm) high, mid
19th century.

TWO BRONZE GREYHOUNDS, each
seated and looking over their back,
the largest 14in.

A CAST IRON FIGURE OF PUNCH, 13in.

A COLLECTION OF FOUR BRONZE ANI-MALS, including a short horn ram, 7in, The British Lion, 8in, A Horse on a stepped plinth, and а Militiaman on horse back, 93/4in, all 19th century.

A CAST IRON MINIATURE FIRE GRATE, loin square.

A LEAD MINIATURE FIRE GRATE, by 9in.

A PAIR OF CAST IRON CHIMNEY
ORNAMENTS, each of a short horn
ram, 7in; And A Cast Iron Ram-
pant Lion, 14in; And A Cast Iron
Model of a Horse, 8in.

A COLLECTION OF THREE CAST IRON
CHIMNEY ORNAMENTS, each in the form of a short horn ram, the largest 8in; And A Pewter Model of a Horse, 7in; And A Lead Model of a Horse, 9in, early 19th century.

A CAST IRON AND PAINTED FIGURE OF
WALLACE, standing in a heroic
pose, 27in, stamped no. 15, registered no. 116705; And A Cast Iron
Fiat Back Figure of Rebecca at the
well, third quarter 19th
century, probably Falkirk.

A HAME LEATHER of oval outline, applied with studs and three bras-

A HAME PLATE with a scalloped edge, the leather with brass buckles.

A RED AND YELLOW TRIMMED MARTINGALE LEATHER with four star filled crescent shaped pendant bras.

NICKEL BRASSES

A SADDLERS SIDE STRAP bearing а
George Dobie Dunfermline maker’s brass above a crescent shaped pendant brass, all on a shaped leather.

A SADDLERS LEATHER, the strop applied with articulated brasses above a C.W. Dick Lochgelly Cow-
beneath inscribed shaped brass.

A  SHAPED  MARTINGALE  LEATHER
with four star filled crescent shaped brasses.

A MARTINGALE LEATHER with four
crescent shaped brasses, and one vacant loop.

A LONG  LEATHER LEADING  REIN
applied with forty-nine rectangular brasses and one heart filled pendant brass.

A LEATHER REIN HANGER with two
pendant brasses, the “leather applied with studs.

METALWORK

THREE BRONZE HAND BELLS, each
with a loop terminal, the largest
4in diameter, all cast with
gryphon’s and an inscribed band.

A PAINTED COPPER AND BRASS LAN-TERN LIGHT, with a stepped finial above a glazed top and sides, 36in (91cm), early 19th century.

AN EMBOSSED COPPER POWDER FLASK by Bartram and Со, 5in; and Two larger Copper Powder Horns.

A COPPER POWDER HORN by James
Dixon and Sons, Sheffield, 6in; and
Two Small Copper Powder Horns.

A COMBINED SHOT AND POWDER FLASK with a brass rim and copper body.

A BRASS DOOR STOP, with a foliate stem and claw foot, 12in, probably late 19th century.

A COPPER AND BRASS BEDWARMING PAN, the slightly domed cover with a wriggle work design, turned ebonized fruitwood handle, 42in (107cm) overall, mid 18th century.

A COPPER BEDWARMING PAN, the slightly raised lid with wriggle work decoration, turned fruitwood handle, 45in (114cm), late 18thlearly 19th century.
A BRASS CHESTNUT ROASTER, the
oval cover applied with an armor-
ial bearing, pierced handle, 22in
(56cm), late 19th century.

A SET OF WROUGHT IRON AND BRASS
SCALES, the beam balance cast
Avenj, supporting two circular
brass pans, 23in (59cm) by 27in
(69cm), with four iron weights and
three brass weights.

AN AMUSING PAIR OF BRASS NUT-CRACKERS, in the form of a gentle-man with an articulated jaw, 8in (20cm) high, bearing a registration number 571398; and an early Victorian Copper Wine Cooler, 9in diameter, with a foliate border, second quarter 19th century.

A BRASS NOVELTY BAR CIGARETTE LIGHTER in the form of a figure of Punch, the gas escaping from а cigar in his mouth, 8in (20cm), late 19th century.

PAIR OF BRASS CANDLESTICKS, GEORGE III STYLE BRASS CANDLESTICKS, SET OF TWO COPPER SAUCEPANS, NOTTINGHAM AND DERBYSHIRE FIRE AND LIFE ASSURANCE COMPANY

TWO COPPER НОТ WATER CANS, each
of oval form, the largest (25cm) high; and a Brass Hot
Water Can of similar form, 92in
(24cm).

THREE COPPER AND TIN MOULDS, one
oval in the form of a melon,
another oval and one circular, the
tallest 6in (15cm).

A COPPER SAMOVAR, with a gadrooned cover and borders, the
shoulders applied with handles,
brass tap on a concave sided
plinth, 17in (43cm), early 19th .

A PAIR OF BRASS CANDLESTICKS, each
with a multiple knops stem on а
square base .

A PAIR OF BRASS CANDLESTICKS, each
with a knapped stem on a circular
base, with push-up ejectors, (25cm); and a George III Bell Candlestick on a raised square
base, 9in (23cm).

A PAIR OF GEORGE III STYLE BRASS CANDLESTICKS, each on an oval base, (17cm).

A WROUGHT IRON STANDARD COMBINED CANDLE AND RUSH HOLDER,
with a later candle sconce and а sprung rush holder, on a tripod base, 23in (59cm), 18th century.

ANOTHER WROUGHT IRON COMBINED
CANDLE AND RUSH HOLDER, 22in
60cm, 18th century.

A PAIR OF HEAVY BRASS CANDLES-
TICKS, each with a turned stem and
sole, 83/4in (22cm), late 19th century

A PAIR OF BRASS CANDLESTICKS, each
with a multiple knapped stem, on
a square base (27cm) high,
mid 19th century.

A PAIR OF GEORGE III BRASS CAND-
LESTICKS, each with a column stem,
square base, push-up ejector, 5in
(13cm),early19th century; And А
Pair of Brass Miniature Baluster
Taper Candlesticks, 2in (5cm),
probabhjearly19th century.

A PAIR OF BRASS CANDLESTICKS, each
with a multiple knapped stem, push-up ejector on a square base, 9in (23cm); And A Similar Pair of Candlesticks, each on a circular base, 8in (20cm), mid 19th century

A SET OF TWO COPPER SAUCEPANS,
each with an iron handle, the
largest 6in diameter; And A Pair of
Brass Shoe Horns.
A PAIR OF COPPER CANDLESTICKS,
each on a circular lobed base, 7in
(18cm); And An Unusual Copper
Watch Case of circular form with
cast hinges and a pendant chain,
3in (8cm) diameter, probably mid-
dle eastern; And A Black Stained
Ivory Candle Holder, 4in high, Anglo-Indian, mid 19th century.

AN 18TH CENTURY BRONZE SUN-DIAL
PLATE, 12in (30cm) diameter.

RAISED ROYAL EXCHANGE; lead, of
pear shape surmounted by а
crown, the panel below bearing
, on an oak
plaque, 9in (23cm) by 8in (20cm).
It is interesting to note from Footprints of Assurance by Belau,  1800, was issued in 1801.

NOTTINGHAM AND DERBYSHIRE FIRE
AND LIFE ASSURANCE COMPANY
1835-1869, lead, raised crest taken
from Nottingham City Arms on а
pebble background surrounded by
a garter cast “Notts and Derbys’,
(27cm) overall.

SUN  INSURANCE  OFFICE,  LIMITED,
LONDON. lead. 7in (18cm) square. SUN with sixteen rays, alternating straight and waved.